The Watery Part of the World

The Watery Part of the World by Michael Parker, Algonquin Books, April 26, 2011

...this relatively short novel really did not move me
To my mind, this story brimmed with possibility. It promised a story spanning the time period of 1800 to present day on an Outer Bank Island. Taking the life of Theodosia Burr, daughter of Aaron Burr who was lost off the Outer Banks and never again heard from, the author postulates that she survived tragedy at sea and built a life and had a family on the fictional island of Yaupon. In a parallel story 150 years later, two white women descendents of Burr live out the last days on the island with a black man, also a long time island resident. They are the only inhabitants of the island.


The story in the 1800s has lots of color. In the fictional account Burr is saved from a pirate attack because the pirate captain is convinced she is mad “touched by God”. Burr had been extremely well educated by her father and was thought to be the most well educated woman in the US at that time. Then she falls into a world where foraging for shipwrecked cargo is a more valued skill that reciting Shakespeare. Despite this she adapts and thrives on this island. She meets a former pirate and falls in love with him. Her strong will to live allows her to make a life for herself and her offspring on this island. She is a memorable character.

The 1950s story of the island residents, the two white sisters Whaley and Maggie, and Woodrow a black man descendent from a free African is really quite strange and hard to relate to. Talk about lives of quiet desperation, Thoreau must have had this crew in mind with that phrase. The elder sister Whaley, the more eccentric of the two is devoted to preserving her interpretation of the island’s history. Each year they are visited by anthropologists (called the Taperecorders). Whaley assumes an old island brogue and relates the history back to Theodosia leaving out any issues that would reflect poorly on the family. The younger sister unable to escape the island’s hold on her life mourns the loss of a love affair with a man who left the island. Woodrow also heavily drawn to life on this island is a remote character who in very understated ways expresses the frustration of the subservient black man in his relationship with these women. The relationships between and among these three characters is the central theme of this story; they have a strange, odd dependency among them. I found this second story somewhat dissatisfying in dealing with the race issue, while it is of great importance in their relationships it is never really tackled head on. I guess the other criticism I had of this second story was that the characters were all so passive and the island hold on them was so strong. While that is surely possible it is overwhelmingly sad to have lives wasted in this way.

So this relatively short (272 pages) novel really did not move me. I liked the section dealing with Theodosia and her adaption to life on the island. All of the prose relating to the island was good and gave a dreamy (perhaps watery?) feel to the story. Lastly I was left cold with the 1950s section.

I read a copy of this novel borrowed from The Free Library of Philadelphia

Caleb's Crossing

Caleb's Crossing: A Novel

by Geraldine Brooks, Viking Adult, May 2011

Right down to the prose which is brilliantly created you feel as if you’ve read a genuine tale of early colonial historical fiction.

Geraldine Brooks has once again immersed us in a historical setting far removed from present day. The time is the last half of the 17th century; the place the Puritan Massachusetts Bay colony, the main characters Bethia Mayfield, daughter of a minister and Caleb Cheeshaahteaumauk, a Wampanoag Indian. Brooks has an easy talent, no doubt the result of copious research, in creating an authentic feel to this story. The inspiration for the story was Caleb, a real life character who was the first Native American to graduate from Harvard College in 1765. Brooks has created this story from the barebones facts known about Caleb.

Both Bethia and Caleb are born on Martha's Vineyard and the first chapters of the story are set there. Bethia is the narrator for the tale and an interesting character. She is intelligent, committed and often guilt ridden for events beyond her control. Brooks brilliantly recreates life for the settlers on the island. Hardships are abundant and loss of life commonplace. A childhood friendship between Bethia and Caleb sets the stage for the events to follow. Bethia’s father works at converting the Indians to Christianity. He tutors Caleb, another convert Joel and his own son Makepeace so that they may attend Harvard and become ministers. All three leave the island for Cambridge to continue their education. Bethia, desperate to learn but denied education because of her gender, accompanies them as a servant. Again we are treated to descriptions of life at Cambridge and later Harvard College that ring true.

Without giving away too much of the plot, let me say that I found the last third of the book oddly flat. In it, Bethia now an elderly dying woman, looks back and describes the events that transpired at Harvard and after.  The telling is almost rote and, in contrast to the passions expressed in the first part of story, is detached and unemotional.  I think in sticking to the known facts of Caleb’s life instead of fully creating a fictional story, the ending was stilted and unfulfilling.

Despite the finish, I did enjoy this book. Right down to the prose which is brilliantly created you feel as if you’ve read a genuine tale of early colonial historical fiction.

I read a copy of this book provided by the publisher.